11.44Another example
Want to reach G?
Use its ii–V:
Am7 → D7 → G
Want to reach Dm?
That's a minor destination, so you might use:
Em7♭5 → A7 → Dm
This is how jazz arrangements create movement toward temporary destinations.
11.44 Another example
Want to reach G?
Use its ii–V:
Am7 → D7 → G
Want to reach Dm?
That's a minor destination, so you might use:
Em7♭5 → A7 → Dm
This is how jazz arrangements create movement toward temporary destinations.