468 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →
12.10Another one
Am → A7 → Dm
Focus on:
C → C♯ → D
Again:
chromatic rise by semitone.
That tiny line makes A7 feel inevitable.
12.10 Another one