3215 / 18210 · Workshop 13 — “Blue Bossa”: Minor ii–V–i, Latin Feel, Modal Color, and Playing Simply Over Two Tonal Centers← prev⊞ allnext →
13.51But listen carefully
Using D♭7 after spending time in D♭maj7 can blur the distinction between:
D♭ as tonic
and:
D♭ as dominant substitute.
That may be interesting.
Or confusing.
Context decides.