3649 / 18210 · Workshop 18 — “Have You Met Miss Jones?”: Sudden Key Centers, Major-Third Modulations, and Staying Oriented When Harmony Jumps← prev⊞ allnext →
18.51This is different from ballad bass design
In “Misty” or “Autumn in New York,” we often wanted chromatic/stepwise bass.
Here:
a sudden root jump can clearly announce:
new tonal island.
Let it.