4732 / 18210 · Workshop 30 — “Footprints”: Minor Modal Vamp, 6/4 Feel, Cross-Rhythms, and Creating Tension Without Faster Harmony← prev⊞ allnext →
30.33Level 16 — harmonic contrast
After a long C-minor modal section, even one new chord becomes significant.
Suppose the bass moves away from C.
Do not treat it casually.
The listener has become attached to C.
A root change is now an event.