4834 / 18210 · Workshop 31 — “Giant Steps”: Coltrane Changes, Major-Third Key Cycles, Ultra-Fast Tonal Reorientation, and Surviving Harmony That Moves Faster Than You Can Think← prev⊞ allnext →
31.42Chord-by-chord phrasing is fatal here
If you make a new idea for every two-beat chord:
the solo sounds frantic.
The harmony is already fragmented.
Your melody must provide continuity.