6469 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.32Level 13 — sus versus minor ambiguity
Over C bass, use:
F-B♭-D.
This emphasizes:
4, ♭7, 9.
No E♭.
The minor 3rd disappears.
Now C becomes more sus/modal.
Then add:
E♭.
Minor identity returns.