6841 / 18210 · Workshop 51 — “A Night in Tunisia”: Pedal Bass, Phrygian-Dominant Color, Afro-Latin Ostinato, Bebop Contrast, and Switching Musical Worlds Without Losing the Form← prev⊞ allnext →
51.26Shells
Em7♭5:
G-D.
A7:
G-C♯.
Dm:
F-C.
Look at the top/middle voice:
D → C♯ → C
or other possible lines depending inversion.
Minimal movement.