8038 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.8This is extremely useful
Instead of thinking:
“I need Fmaj9/13.”
you can think:
F bass + C major pentatonic.
Your fingers already know the five-note shape.