8839 / 18210 · Workshop 72 — Orchestral Thinking at the Piano: Register, Density, Doubling, Texture Rotation, and Making Two Hands Sound Like an Ensemble← prev⊞ allnext →
72.7Keep layers separated
If bass creeps upward,
chord moves downward,
melody drops into middle,
everything begins colliding.
Sometimes desirable.
Usually not.
For clarity, preserve spacing.