9376 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →
77.20Example
Suppose:
| Cmaj7 | A7 | Dm7 | G7 | | Em7 A7 | Dm7 G7 | Cmaj7 | Cmaj7 |
Landmarks might be:
C
Dm
G7
final C.
The secondary dominants/ii–V components explain routes between them.