10034 / 18210 · Workshop 83 — Voice-Leading Reharmonization: Building New Chords from Melodic Lines Instead of Substitution Lists← prev⊞ allnext →
83.4Now ask what each interval suggests
G over C:
G over B:
♭6 / altered-type relation depending chord.
G over B♭:
6/13 or consonant against B♭ harmony.
G over A:
♭7 or 7sus-type relation.
The bass has created possibilities before we have named chords.