10836 / 18210 · Workshop 89 — Independent Clocks at the Piano: Separating Bass Time, Chord Time, Melody Time, and Phrase Time Without Losing the Groove← prev⊞ allnext →
89.86Level 54 — deliberate overlap as climax
After several interlocking sparse bars:
have bass, chord, and melody all attack together.
Suddenly the synchronized hit feels huge.
Synchronization becomes an orchestration effect.