13745 / 18210 · Workshop 107 — Composing Inner Voices and Counterpoint: Making the Middle of the Texture Carry Meaning Instead of Merely Filling Chords← prev⊞ allnext →
107.4Level 2 — second inner voice
Add:
C → B → B.
Now you have:
Bass: D-G-C.
Inner 1: F-F-E.
Inner 2: C-B-B.
Melody: A-G-G.
Now the harmony is created by four moving voices.