16817 / 18210 · Workshop 121 — Improvisation as a Composition Engine: How to Capture Spontaneous Ideas, Recognize What Is Worth Keeping, and Turn a One-Time Performance into a Real Piece← prev⊞ allnext →
121.14Mark timestamps
Example:
0:42 — bass figure.
1:17 — melody.
2:05 — strange Fm/C voicing.
3:22 — transition.
4:41 — ending.
Now you have:
raw materials.