17463 / 18210 · Workshop 123 — Composing Outside Your Comfort Zone: How to Write in Unfamiliar Keys, Modes, Meters, and Tempos Without Losing Your Musical Identity← prev⊞ allnext →
123.111Level 65 — preserve delayed root
If your endings often delay tonic bass:
do same in unfamiliar key.
In E:
final harmony E/B.
Then bass:
B→E.
Style survives.