3346 / 18210 · Workshop 15 — “Satin Doll”: Turnarounds, ii–V Chains, Dominant Movement, and Comping Like You Mean It← prev⊞ allnext →
15.2A ii–V is incomplete by itself
If you hear:
Dm7 → G7
your ear asks:
where is the C?
Sometimes the tonic arrives.
Sometimes jazz postpones it.
Sometimes another ii–V begins instead.
That delayed destination is part of the style.