3352 / 18210 · Workshop 15 — “Satin Doll”: Turnarounds, ii–V Chains, Dominant Movement, and Comping Like You Mean It← prev⊞ allnext →
15.8This is why shell voicings are so powerful
A good ii–V may require almost no RH movement.
That leaves your attention free for:
- rhythm
- melody
- time
- listening
Those are more important than five-note chord shapes.