8367 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.39Level 18 — oblique motion
Melody repeats G.
Bass:
C-B-B♭-A.
This is often even stronger.
One voice fixed.
One voice moving.
Harmony appears between them.
Workshop 50 again.