8377 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.49Level 23 — chromatic connector into target root
Want Am next?
Approach bass:
C → B → B♭ → A.
You can keep C-based harmony above much of the descent, then reveal Am at A.
The bass telegraphs the destination.