9166 / 18210 · Workshop 75 — Intervallic Improvisation: Fourths, Fifths, Wide Leaps, Octave Displacement, and Making Modern Lines Sing Without Losing the Harmony← prev⊞ allnext →
75.33Example
Dm7:
A→D→C.
G7:
E♭→B.
Cmaj7:
G→E.
The exact surface can vary.
But targets explain harmony.