9201 / 18210 · Workshop 75 — Intervallic Improvisation: Fourths, Fifths, Wide Leaps, Octave Displacement, and Making Modern Lines Sing Without Losing the Harmony← prev⊞ allnext →
75.68Do not let theory force awkward keyboard lines
If a transformed motif feels physically or melodically ugly:
change it.
The point is musical coherence, not proving a transformation theorem.