9732 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →
80.52Level 29 — major7 chord can be non-tonic
Fmaj7 in C:
IV color.
Cmaj7:
I.
E♭maj7 in C may be borrowed/modal.
Again:
quality does not determine function.
Bass/context/destination do.