9769 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →
80.89Challenge 2 — no roots in RH
Use upper structures/guide tones.
Bass alone defines root.
At one point remove bass too.
Can context preserve harmony temporarily?