10148 / 18210 · Workshop 84 — Modulation Architecture: Pivot Chords, Direct Modulation, Common-Tone Modulation, Sequential Modulation, and Making Key Changes Feel Inevitable← prev⊞ allnext →
84.7Level 2 — modulation through new dominant
Want:
C major → G major.
Use:
D7 → G.
The D7 immediately introduces:
F♯.
That note does not belong to C major.
It acts as a signpost toward G.