10213 / 18210 · Workshop 84 — Modulation Architecture: Pivot Chords, Direct Modulation, Common-Tone Modulation, Sequential Modulation, and Making Key Changes Feel Inevitable← prev⊞ allnext →
84.72Level 43 — relative vs parallel contrast
C→Am:
same notes, new center.
C→Cm:
same center, new notes.
These are opposite kinds of tonal change.
Listen to that distinction.