10965 / 18210 · Workshop 90 — Rhythmic Motif Development: Turning One Tiny Rhythm into a Whole Solo, Accompaniment Language, and Arrangement Identity← prev⊞ allnext →
90.66Level 51 — motif against walking bass
LH: quarter notes.
RH motif: 3-eighth cycle.
Now 4-quarter bass and 3-eighth phrase interact.
Keep bass steady.
This is a classic independent-clock exercise.