13602 / 18210 · Workshop 106 — Composing Bass Lines That Carry the Piece: Root Motion, Counterpoint, Groove, Inversions, Pedals, and Bass as a Source of Harmony← prev⊞ allnext →
106.36Level 27 — structural versus connective bass
Mark:
C(S)
B(P)
B♭(P)
A(P/inversion)
F(S).
This keeps hierarchy clear.