13570 / 18210 · Workshop 106 — Composing Bass Lines That Carry the Piece: Root Motion, Counterpoint, Groove, Inversions, Pedals, and Bass as a Source of Harmony← prev⊞ allnext →
106.4Level 2 — root duration as phrase design
Hold C longer.
Move quickly through:
A-D-G.
Now tonic feels:
stable.
The cadence feels:
accelerated.
Bass rhythm shapes harmonic perception.