14342 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.195The mature transition question
Not:
“What do I play between A and B?”
But:
“What must the listener stop believing about A, what must they begin expecting about B, and which musical dimension can change first while another remains stable enough to carry them across?”
That is transition composition.