14201 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.54Level 38 — intro dynamic restraint
Do not spend:
highest register
thickest blocks
strongest altered harmony
unless intro itself is intended as dramatic opening climax.
Reserve resources.