4073 / 18210 · Workshop 23 — “Night and Day”: Pedal Tones, Chromatic Descent, Repeated Motifs, and Making One Harmonic Idea Sustain a Long Phrase← prev⊞ allnext →
23.16Level 6 — dominant pedal
Hold G bass.
Upper harmony:
C/G
Fm/G
G7sus
G7
then C.
This creates a long dominant preparation.
The bass says:
destination is coming.
The upper harmony delays it.