4111 / 18210 · Workshop 23 — “Night and Day”: Pedal Tones, Chromatic Descent, Repeated Motifs, and Making One Harmonic Idea Sustain a Long Phrase← prev⊞ allnext →
23.54Level 28 — bass as counterpoint
Top repeats G.
Bass descends:
C → B → B♭ → A.
This is perhaps the clearest texture:
stable top + moving bottom.
Use sparse middle harmony.