4080 / 18210 · Workshop 23 — “Night and Day”: Pedal Tones, Chromatic Descent, Repeated Motifs, and Making One Harmonic Idea Sustain a Long Phrase← prev⊞ allnext →
23.23Level 10 — chromatic dominant approach
Suppose destination is G.
Original:
D7 → G.
Try:
A♭7 → G.
Bass:
A♭ → G.
Now repeat-note melody can make the substitute feel smooth.