2235 / 18210 · Workshop 3 — I–vi–ii–V: Turnarounds, Standards, and Making Four Chords Do a Lot← prev⊞ allnext →
3.14Now hold G on top
Over:
C: G = 5
Am7: G = 7
Dm11: G = 11
G7: G = root.
Again, one note gets reinterpreted four ways.
This is why repeated-note melodies can support rich harmony.