2286 / 18210 · Workshop 3 — I–vi–ii–V: Turnarounds, Standards, and Making Four Chords Do a Lot← prev⊞ allnext →
3.65Counterpoint version
Keep top melody simple.
Add inner line:
B → A → A♭ → G
Possible harmonies could include:
Cmaj7
Am7
A♭7 or Fm
G7.
The inner line becomes the organizing principle.