2291 / 18210 · Workshop 3 — I–vi–ii–V: Turnarounds, Standards, and Making Four Chords Do a Lot← prev⊞ allnext →
3.70Hear the chromatic thirds
A7:
C♯.
D7:
F♯.
G7:
B.
Then C:
C.
Each dominant introduces a leading tone toward the next root.
Very directional.