8738 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.10Level 6 — oblique motion
Main melody holds G.
Counterline moves:
E-F-F♯-G.
This is one of the most useful situations.
Held melody gives inner voices space to develop.