8764 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.36Level 22 — rhythmic augmentation
Main melody fragment:
eighth-eighth-quarter.
Counterline:
quarter-quarter-half.
Same pitch contour or interval pattern.
Now the second voice feels slower and subordinate.
Excellent.