8754 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.26Level 15 — chromatic inner line
Held main melody G.
Harmony area C.
Counterline:
E-E♭-D-D♭-C.
This creates a descending chromatic texture.
Bass can remain C or change.
Very effective.