8734 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.6Level 3 — approach the next melody note
Suppose main melody is about to land on:
G.
Your countermelody can lead toward that moment with:
D-E-F♯
then stop before G enters.
The two lines now cooperate.
The counterline prepares the melody's arrival.