8745 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.17Attack hierarchy matters
If melody and countermelody begin simultaneously with similar register and dynamics:
the ear may not know which is primary.
So separate them through:
- timing
- register
- articulation
- dynamics