3348 / 18210 · Workshop 15 — “Satin Doll”: Turnarounds, ii–V Chains, Dominant Movement, and Comping Like You Mean It← prev⊞ allnext →
15.4Now connect them
Try:
Dm7 → G7 | Gm7 → C7 | Cm7 → F7
This is not one diatonic key.
But each two-chord packet is easy to understand.
So the larger progression becomes:
destination-changing sequence of ii–Vs.
This is exactly the kind of harmonic reading we’ve been developing.