3745 / 18210 · Workshop 19 — “On Green Dolphin Street”: Modal Vamps, Pedal Points, Functional Harmony, and Switching Between Two Different Ways of Thinking← prev⊞ allnext →
19.48Level 18 — tritone substitution after modal section
Once functional harmony resumes, you may use:
Dm7 → D♭7 → C.
But do not put tritone substitutions inside every modal bar.
Static harmony already has enough color.
Save substitutions for actual directional moments.