6107 / 18210 · Workshop 43 — “Blue Rondo à la Turk”: 9/8 as 2+2+2+3, Additive Rhythm, Switching Between Odd Meter and Swing, and Keeping Form During Metric Changes← prev⊞ allnext →
43.54Level 27 — odd-meter comping needs restraint
If the bass riff already clearly states 2+2+2+3, RH does not need to duplicate every group.
Instead, perhaps answer only:
group 2
and group 4.
The listener already knows the meter.