7882 / 18210 · Workshop 62 — Harmonic Side-Slipping: Chromatic Planing, Approach Chords, Outside Playing, Semitone Detours, and Returning Home Without Sounding Random← prev⊞ allnext →
62.51Level 25 — use common tone to make outside harmony believable
Cmaj7.
Shift to:
D♭maj7.
Keep C if possible as:
maj7 of D♭.
Now the old tonic becomes a tension in the new chord.
Excellent.
Then return.