8322 / 18210 · Workshop 66 — Melodic Development Through Guide Tones: Making 3rds and 7ths Sing, Connecting Chords Horizontally, and Building Lines That Explain the Harmony← prev⊞ allnext →
66.91Apply it to “Mack the Knife”
This is enormously practical.
For the walking-swing version:
LH walks.
RH melody stays clear.
Between phrases, use guide-tone fills rather than arbitrary scales.
For a later reharmonized chorus:
preserve smooth 3rd/7th lines even as you add tritone substitutions and secondary dominants.
That keeps the arrangement sounding polished instead of harmonically busy.