BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
8656 / 18210 · Workshop 70 — From Lead Sheet to Full Solo-Piano Arrangement: Melody First, Bass Second, Inner Voices Third, Chord Symbols Last← prev⊞ allnext →

70.29Do not change harmony merely because melody moved

Your bass may stay.

Guide tones may stay.

Only melody changes.

That can be beautiful.

A good arrangement often contains far fewer structural chord changes than a naïve note-by-note harmonization.