10198 / 18210 · Workshop 84 — Modulation Architecture: Pivot Chords, Direct Modulation, Common-Tone Modulation, Sequential Modulation, and Making Key Changes Feel Inevitable← prev⊞ allnext →
84.57Level 32 — direct modulation without break
Much harder.
C phrase ends.
D♭ begins immediately with no pause.
To make this convincing:
preserve rhythm
texture
melodic contour
or motif.
The continuity must come from somewhere else.