12427 / 18210 · Workshop 99 — Accompanying Another Musician: Following a Singer, Leading Without Controlling, Recovering from Unexpected Changes, and Making the Piano Behave Like a Listening Partner← prev⊞ allnext →
99.153Apply it to “Happy Birthday”
Imagine someone begins singing in E♭.
Do not play melody.
Accompany them.
First phrase:
E♭ tonic support.
Approach phrase ending conservatively.
Second phrase:
clear B♭7→E♭ cadence.
Third phrase:
singer reaches climax.
Thin accompaniment enough that their high point remains foreground.
Final phrase:
you may use:
A♭→A♭m→E♭
if singer pitch supports it.
If they hold final E♭:
delay final upper color and let voice own tonic first.